https://andreaconangla.com Andrea Conangla - Soprano Mon, 06 Mar 2023 21:15:24 +0000 https://andreaconangla.com en https://andreaconangla.com/video Mon, 06 Mar 2023 21:15:24 +0000 Andrea Conangla - Soprano https://andreaconangla.com/video NEW RELEASE Fern Fe<img width="1116" height="1038" width_o="1116" height_o="1038" data-src="https://freight.cargo.site/t/original/i/72f5d87df0fffa591e27b3057abb796a95f3eeec4c1a1fdef909b87ce6fbc5cb/Screenshot-2024-04-25-at-12.57.39.png" data-mid="210374504" border="0" src="https://freight.cargo.site/w/1000/i/72f5d87df0fffa591e27b3057abb796a95f3eeec4c1a1fdef909b87ce6fbc5cb/Screenshot-2024-04-25-at-12.57.39.png" /> Click to&nbsp;Order Now ︎ autopsychografia.com Continue to Website&nbsp;︎︎︎ &nbsp;&nbsp; https://andreaconangla.com/bio Wed, 20 Apr 2022 18:44:35 +0000 Andrea Conangla - Soprano https://andreaconangla.com/bio bio photos press <img width="2184" height="3000" width_o="2184" height_o="3000" data-src="https://freight.cargo.site/t/original/i/1f741f44afa9f4ebc8c0ef7af6096299438d46a169d2f7e919f0ac8586a58027/Portrait_Andrea-Conangla_20225352.jpg" data-mid="161464877" border="0" src="https://freight.cargo.site/w/1000/i/1f741f44afa9f4ebc8c0ef7af6096299438d46a169d2f7e919f0ac8586a58027/Portrait_Andrea-Conangla_20225352.jpg" /> <img width="2184" height="3000" width_o="2184" height_o="3000" data-src="https://freight.cargo.site/t/original/i/1f741f44afa9f4ebc8c0ef7af6096299438d46a169d2f7e919f0ac8586a58027/Portrait_Andrea-Conangla_20225352.jpg" data-mid="161464877" border="0" src="https://freight.cargo.site/w/1000/i/1f741f44afa9f4ebc8c0ef7af6096299438d46a169d2f7e919f0ac8586a58027/Portrait_Andrea-Conangla_20225352.jpg" /> <img width="2184" height="3000" width_o="2184" height_o="3000" data-src="https://freight.cargo.site/t/original/i/1f741f44afa9f4ebc8c0ef7af6096299438d46a169d2f7e919f0ac8586a58027/Portrait_Andrea-Conangla_20225352.jpg" data-mid="161464877" border="0" src="https://freight.cargo.site/w/1000/i/1f741f44afa9f4ebc8c0ef7af6096299438d46a169d2f7e919f0ac8586a58027/Portrait_Andrea-Conangla_20225352.jpg" /> Andrea Conangla, soprano, described by the press as an astonishing vocal acrobat, is recognized for her exceptional vocal agility, distinctive stage presence, and refined musical sensibility. Her schedule reflects a coherent and unmistakably personal artistic vision that spans historically informed performance, virtuosic new opera, collaborative music-theatre projects, and, increasingly, her own work as a curator, composer-improviser, and stage director. In 2025, Andrea embodied Mozart’s Queen of the Night (Die Zauberflöte), Händel’s Cleopatra (Giulio Cesare), and Rameau’s La Folie (Platée) on tour with the Lisbon Metropolitan Orchestra. She performed the comedic role of Geist in the world premiere of Body Work by Laura Winkler, directed by Amy Stebbins, at the Neuköllner Oper in Berlin, and continued her collaboration with the Sond’Arte Electric Ensemble, presenting Miguel Azguime’s A Laugh to Cry on several occasions throughout the year. Alongside these projects, she brought her debut album Autopsychografia (2024) featuring modern songs by Helmut Lachenmann, Sara Glojnarić, Igor C. Silva, and Sofia Borges, after texts by Portuguese poet Fernando Pessoa, to O’culto da Ajuda’s stage in Lisbon and at the open music festival in Graz. After Andrea’s debut at the Stuttgart State Opera with Monteverdi’s L’Orfeo, she took on the title role in the world premiere of Icaro by Alessandro Battici at JOiN - Junge Oper in Nord. In the 2023/24 season, Andrea was a soloist with the Munich Philharmonic Orchestra at the Isarphilharmonie and later made a guest appearance with less than 24h notice at the Théâtre Royal de la Monnaie in Brussels as Talus for the world premiere of Solar - Icarus Burning by Howard Moody. For the 100th anniversary of György Ligeti's birth, she sang Mysteries of the Macabre under the baton of conductor Nuno Coelho in Portugal. Andrea is also heard regularly as a soloist in oratorio, having sung Bach’s Christmas Oratorio and St. Matthew Passion, Mozart’s Exsultate, jubilate and Regina coeli, Brahms’s Ein deutsches Requiem, among others. As a recitalist, she has collaborated with pianists Thomas Seyboldt, Jana Luksts, and Marcelo Amaral, and is drawn to unconventional programs that combine classics of the German Lied tradition with new works and political commentary — for example, no fe·mi·ni·no, a concert program reframing Schumann’s song cycle Frauenliebe und Leben within a mixed-media modern context, sparked considerable interest from the media. The direct exchange with composers such as Helmut Lachenmann, Martin Schüttler, Jennifer Walshe, Bernhard Lang, Miguel Azguime, and Sara Glojnarić has strongly influenced her artistic vision and inspired her to bring her own concerns to stage. Zapping Machine (2018), Extreme Makeover (2018/2021), and When I Walk/Quando m’en vo (2020/2023) were her first steps in the field of artistic intervention. In 2025, Andrea made her debut as stage director with the experimental opera Schaum by Paul Hauptmeier and Martin Recker in Bremen. While studying at the State University of Music and Performing Arts Stuttgart with Prof. Angelika Luz and Prof. Ulrike Sonntag, Andrea began teaching vocal improvisation at the Trossingen State University of Music (2020-2023). As a guest lecturer, she conducted workshops and seminars at Balleteatro in Porto and at the Łódź University of Music in Poland. She was a scholarship holder of the Kunststiftung Baden-Württemberg and received the InSzene:Vokal grant from Podium Gegenwart of the Deutscher Musikrat, recognizing her as a promising voice in contemporary music. Please do not edit Andrea Conangla's biography without permission. <img width="3252" height="917" width_o="3252" height_o="917" data-src="https://freight.cargo.site/t/original/i/a65d1794f75585394dde774cbddd1bc2a7071dd8e9ba5c312f8f9ae158069341/Podium-Gegenwart_Violett_DMR-Blau_CMYK-01.png" data-mid="141070043" border="0" data-scale="5" data-icon-mode src="https://freight.cargo.site/w/1000/i/a65d1794f75585394dde774cbddd1bc2a7071dd8e9ba5c312f8f9ae158069341/Podium-Gegenwart_Violett_DMR-Blau_CMYK-01.png" /> This website was funded by InSzene, a program of the German music council. https://andreaconangla.com/photos-1 Tue, 26 Apr 2022 19:18:41 +0000 Andrea Conangla - Soprano https://andreaconangla.com/photos-1 bio photos press <img width="4984" height="7482" width_o="4984" height_o="7482" data-src="https://freight.cargo.site/t/original/i/73001b757a4a791508fa6d21262e2c62596f3d9b24bd443afbbe303f30ba9730/Portrait_Andrea-Conangla_20225152.jpg" data-mid="161460906" border="0" alt="Foto: Matthias Baus" data-caption="Foto: Matthias Baus" src="https://freight.cargo.site/w/1000/i/73001b757a4a791508fa6d21262e2c62596f3d9b24bd443afbbe303f30ba9730/Portrait_Andrea-Conangla_20225152.jpg" /> <img width="8256" height="5504" width_o="8256" height_o="5504" data-src="https://freight.cargo.site/t/original/i/fa4c85a4bb3973307820a90dabfd20e252155e3170369dda5b4c516b12b8054c/Portrait_Andrea-Conangla_20225241.jpg" data-mid="161460902" border="0" src="https://freight.cargo.site/w/1000/i/fa4c85a4bb3973307820a90dabfd20e252155e3170369dda5b4c516b12b8054c/Portrait_Andrea-Conangla_20225241.jpg" /> <img width="8256" height="5504" width_o="8256" height_o="5504" data-src="https://freight.cargo.site/t/original/i/66c93581341744fe348932c40c15157c2ae43b9ae8e3cd2db2dcc2f6e5e65312/Portrait_Andrea-Conangla_20225215.jpg" data-mid="161460905" border="0" src="https://freight.cargo.site/w/1000/i/66c93581341744fe348932c40c15157c2ae43b9ae8e3cd2db2dcc2f6e5e65312/Portrait_Andrea-Conangla_20225215.jpg" /> <img width="4954" height="3302" width_o="4954" height_o="3302" data-src="https://freight.cargo.site/t/original/i/8d058fd475f561a978f8575c483fd83232f3cc11e6f371334afee0e708ae80e6/Portrait_Andrea-Conangla_20225252.jpg" data-mid="161461048" border="0" src="https://freight.cargo.site/w/1000/i/8d058fd475f561a978f8575c483fd83232f3cc11e6f371334afee0e708ae80e6/Portrait_Andrea-Conangla_20225252.jpg" /> <img width="3302" height="3849" width_o="3302" height_o="3849" data-src="https://freight.cargo.site/t/original/i/11ef11b59bea4a7b4d6d73d961d64baa8764676e0282ae9b08eb7dfdc959e93f/Portrait_Andrea-Conangla_20225169.jpg" data-mid="161462145" border="0" src="https://freight.cargo.site/w/1000/i/11ef11b59bea4a7b4d6d73d961d64baa8764676e0282ae9b08eb7dfdc959e93f/Portrait_Andrea-Conangla_20225169.jpg" /> <img width="2184" height="3000" width_o="2184" height_o="3000" data-src="https://freight.cargo.site/t/original/i/5e0be992d88fd7b301fd70fc799b43d0f8d9cce840e563f48501c4e8585367cb/Portrait_Andrea-Conangla_20225352.jpg" data-mid="161460924" border="0" src="https://freight.cargo.site/w/1000/i/5e0be992d88fd7b301fd70fc799b43d0f8d9cce840e563f48501c4e8585367cb/Portrait_Andrea-Conangla_20225352.jpg" /> <img width="3302" height="4954" width_o="3302" height_o="4954" data-src="https://freight.cargo.site/t/original/i/3b9c16228459d26961543bad0a275c9c6cbc505ebd0b6bf7af2ec09a296b5b37/Portrait_Andrea-Conangla_20225098.jpg" data-mid="161462133" border="0" src="https://freight.cargo.site/w/1000/i/3b9c16228459d26961543bad0a275c9c6cbc505ebd0b6bf7af2ec09a296b5b37/Portrait_Andrea-Conangla_20225098.jpg" /> <img width="2009" height="3000" width_o="2009" height_o="3000" data-src="https://freight.cargo.site/t/original/i/84f96b5f8251d701ef66af1ef6a3fabec224f3ccd9721730efe3be01b26373d4/Portrait_Andrea-Conangla_20225441.jpg" data-mid="161460926" border="0" src="https://freight.cargo.site/w/1000/i/84f96b5f8251d701ef66af1ef6a3fabec224f3ccd9721730efe3be01b26373d4/Portrait_Andrea-Conangla_20225441.jpg" /> Photo credit: Matthias Baus ︎︎︎ download press-kit for hi-res photos https://andreaconangla.com/press Thu, 28 Apr 2022 16:26:42 +0000 Andrea Conangla - Soprano https://andreaconangla.com/press bio photos press No Tabus — Portrait at SWR Kunscht! "MeToo, racism, body-shaming or diversity—topics that are also present at music universities, in opera houses and on concert stages in this country and all over the world, but which are usually not spoken about openly. The young Stuttgart soprano Andrea Conangla tackles them: professionally and personally, courageously, convincingly and touchingly. Born in Spain, raised in Portugal, the 29-year-old artist has been living in Stuttgart since 2017 and is active with her voice in the field of classical as well as new music - and has also been a lecturer at the State University of Music Trossingen since 2020. Kunscht! Meet the versatile young woman." Interview in German. newspaper articles Andrea Conangla with body and voice no fe.mi.ni.no: "Feminism is not an aesthetic" "Ever since I was a little girl I've been called a revolutionary or an activist," Andrea says, through the Zoom window in which her cat stubbornly appears. This "reality" began to take shape in Germany, where she learnt how to better articulate her political and social concerns with her artistic work. "Jennifer Walshe and Martin Schüttler gave me great impulses in this regard." At the time she was preparing her final project for her master's degree, Andrea decided to work about the body and her daily experience as a woman and singer, subscribing to the feminist thesis that the personal is not only political, but also creative matter. "Jenni [Jennifer Walshe] showed me Roxane Gay, who changed my life. The book Hunger is a raw testimony about the author's body, about how a 'hunger' to be safe translated into her size." On the other hand, "in Martin's [Professor of Composition and Political Music] classes, we discussed aesthetics and the most complex aspects of the music of Helmut Lachenmann or Luigi Nono with the same pleasure and seriousness with which we discussed the cultural impact of the Beatles, Beyoncé's Lemonade or the subversive music of Pussy Riot."&nbsp;︎ Read more! Text in Portuguese. Quando m’en vo / When I go on Jornal Público “"How are you, girl?", "Smile", "Someone is acknowledging that you are beautiful", "You should be more grateful!" The succession of comments falls on a projected video showing a woman walking down the street. In front of it, Andrea Conangla, a Portuguese opera singer living in Germany, performs Quando m'en vo from the opera La Bohème, while several women share their own experiences of harassment in the dress the artist wears.”&nbsp;︎ Read more! Text in Portuguese. Stuttgarter Newspaper—Up close and personal when art is created “Many artists take advantage of the freedom this format offers them. The opera singer Andrea Conangla, for example, began the first part with Puccini and ended with John Cage and women's testimonies on the metoo debate. In between, she idiosyncratically explored the Beatles' evergreen "Yesterday" under the title "British Invasion is not over". "That was written by our composition scholar Ui-Kyung Lee," says Milla. "Since 2012 we have had a scholarship for new forms of music, which is explicitly not limited to new music, but includes experimental pop music.” ︎&nbsp;Read more! Text in German. InSzene: Vokal launches first funding round "The new funding programme "InSzene: Vokal" of the Podium Gegenwart in the German Music Council has started: The sopranos Andrea Conangla and Viktoriia Vitrenko as well as the vocal ensembles Neue Kammer and Trio vis-à-vis have convinced the jury and will be included in the two-year funding programme"&nbsp;︎ Read more! Text in German. reviews Rimas e BatidasHer voice, expanded through techniques that transcend the flesh, touches the unspeakable. [...] On stage, where time shatters and reconstructs, Andrea embodied beings from other times and places [...] crossing operas and sonic galaxies. [...] Andrea doesn't just sing; she creates sonic universes. Alongside visionary composers like Lachenmann and Azguime, she has made her voice an instrument of artistic intervention. ︎ Read more! Text in Portuguese. Schwäbisches Tagblatt An astonishing vocal acrobat [...] grand and overwhelming, with remarkable vocal control, extreme heights, and a sensational range of possibilities. A voice that suddenly fills the space. ︎ Read more! Text in German. Berliner Zeitung Just as their bodies master the steps and kicks, their voices leap across the octaves to ever more spectacular extremes [...] In the end, a very special, shrill and quirky liberation of sensuality. ︎ Read more! Text in German. Jornal Público (...) masterfully performed by the interpreters, especially by the voices of Camila Mandillo and Andrea Conangla, whose vocal plasticity, associated with a crystalline timbre and extreme care in the delivery of the text, amazed us at several moments, despite a demanding score. ︎ Read more! Text in Portuguese. Pamina Klassik Maganize However, the evening opened with two songs written a few years earlier based on texts by Goethe: "Hoffnung" (Hope) and "An den Mond" (To the Moon) describe the opposite poles of day and night, and Andrea Conangla's soft, silvery, slender soprano caught the listener's attention here&nbsp;(...) . podcasts | interviews Antena 2 RTP — Música de Invenção e Pesquisa Autopsychografia on portuguese radio, by Miguel Azguime. Programe in Portuguese. Antena 2 RTP — Império dos Sentidos Interview with journalist Paulo Alves Guerra for the programme Império dos Sentidos, announcing concert&nbsp;no fe·mi·ni·no. Interview in Portuguese. Kunststiftung Podcast In the third episode of our Kunststiftung Baden-Württemberg podcast, Jessica Steinle and Laura Breier interview the singer Andrea Conangla. In addition to an interview, she sings works by Saariaho, Cage, Aperghis, and one of Puccini's arias Quando m'en vo, among others. Interview in German. project documentation no fe·mi·ni·no // andrea conangla no fe·mi·ni·no&nbsp;is Andrea Conangla’s artistic reflection about the role of women in society, art and culture - a musical travel through more than two centuries, where classical music, conceptual music and pop culture intersect with activism, feminism, political music and mixed media.22nd September 2023, O’culto da Ajuda, Lisbon. A Laugh to Cry—Multimedia Opera by Miguel Azguime Composed by Miguel Azguime, who also performs on stage, and directed by Paula Azguime, this multimedia opera is performed by a young cast of singers and the musicians of the Sond'Ar-te Electric Ensemble conducted by Maestro Pedro Neves. At Teatro Viriato, we watched this NEW OP-ERA project and nobody remained indifferent As part of the 16th International Spring Music Festival, on 20 April, 2023. "Ich flüchte in Dein Zauberzelt" Prof. Angelika Luz, dramaturgy and directionOliver Röckle, video Scores from enigmatic signs—Deutsches Literaturarchiv With eye and ear, hand and foot, and with the full range of their vocal art, Angelika Luz, alumni and students of the Stuttgart University of Music and Performing Arts (Rebekka Bigelmayr, Andrea Conangla, Karera Fujita, Cong Wei and Pascal Zurek) interpreted some of the exhibits of "punktpunktkommastrich. Sign Systems in the Literary Archive and other scores of enigmatic signs. https://andreaconangla.com/bio-pt Tue, 31 May 2022 14:38:44 +0000 Andrea Conangla - Soprano https://andreaconangla.com/bio-pt bio fotos press <img width="2184" height="3000" width_o="2184" height_o="3000" data-src="https://freight.cargo.site/t/original/i/e5a769a99e6378df6f56c5716afeaa3e55623da3b01be3dde103b5001a123505/Portrait_Andrea-Conangla_20225352.jpg" data-mid="161464931" border="0" src="https://freight.cargo.site/w/1000/i/e5a769a99e6378df6f56c5716afeaa3e55623da3b01be3dde103b5001a123505/Portrait_Andrea-Conangla_20225352.jpg" /> <img width="2184" height="3000" width_o="2184" height_o="3000" data-src="https://freight.cargo.site/t/original/i/e5a769a99e6378df6f56c5716afeaa3e55623da3b01be3dde103b5001a123505/Portrait_Andrea-Conangla_20225352.jpg" data-mid="161464931" border="0" src="https://freight.cargo.site/w/1000/i/e5a769a99e6378df6f56c5716afeaa3e55623da3b01be3dde103b5001a123505/Portrait_Andrea-Conangla_20225352.jpg" /> <img width="2184" height="3000" width_o="2184" height_o="3000" data-src="https://freight.cargo.site/t/original/i/e5a769a99e6378df6f56c5716afeaa3e55623da3b01be3dde103b5001a123505/Portrait_Andrea-Conangla_20225352.jpg" data-mid="161464931" border="0" src="https://freight.cargo.site/w/1000/i/e5a769a99e6378df6f56c5716afeaa3e55623da3b01be3dde103b5001a123505/Portrait_Andrea-Conangla_20225352.jpg" /> Andrea Conangla, soprano, descrita pela imprensa como uma acrobata vocal extraordinária, é reconhecida pela sua agilidade vocal, presença em palco distinta e sensibilidade musical refinada. A sua agenda reflete uma visão artística coerente e inconfundivelmente pessoal, que abrange performance historicamente informada, ópera moderna, projetos multidisciplinares e, cada vez mais, o seu próprio trabalho como curadora, compositora-improvisadora e encenadora. Em 2025, Andrea deu voz às personagens&nbsp;Rainha da Noite de Mozart (Die Zauberflöte), Cleópatra de Händel (Giulio Cesare) e La Folie de Rameau (Platée) em digressão com a Orquestra Metropolitana de Lisboa. Atuou no papel cómico de Geist na estreia mundial de Body Work, de Laura Winkler, encenada por Amy Stebbins, na Neuköllner Oper em Berlim, e continuou a sua colaboração com o Sond’Arte Electric Ensemble, apresentando A Laugh to Cry, de Miguel Azguime, em várias ocasiões ao longo do ano. Paralelamente a estes projetos, apresentou o seu álbum de estreia Autopsychografia (2024), com canções modernas de Helmut Lachenmann, Sara Glojnarić, Igor C. Silva e Sofia Borges, a partir de textos do poeta português Fernando Pessoa, no palco do O’culto da Ajuda em Lisboa e no open music festival em Graz. Após a sua estreia na Ópera de Estugarda com L’Orfeo de Monteverdi, assumiu o papel principal na estreia mundial de Icaro, de Alessandro Battici, no JOiN - Junge Oper in Nord. Na temporada 2023/24, Andrea foi solista com a Orquestra Filarmónica de Munique na Isarphilharmonie e, posteriormente, fez uma aparição com menos de 24h de antecedência no Théâtre Royal de la Monnaie, em Bruxelas, interpretando Talus na estreia mundial de Solar - Icarus Burning, de Howard Moody. Para o 100º aniversário do nascimento de György Ligeti, interpretou Mysteries of the Macabre sob a direção do maestro Nuno Coelho em Portugal. Andrea é também regularmente convidada como solista em oratório, tendo interpretado Oratório de Natal e a Paixão segundo São Mateus, de Bach, Exsultate, jubilate e Regina coeli, de Mozart, Ein deutsches Requiem, de Brahms, entre outros. Em recital, colaborou com os pianistas Thomas Seyboldt, Jana Luksts e Marcelo Amaral, com programas não convencionais que combinam clássicos da tradição do Lied alemão com novas obras e comentário político. O seu programa no fe·mi·ni·no, reenquadrando o ciclo Frauenliebe und Leben, de Schumann, num contexto moderno multimédia, despertou considerável interesse por parte dos meios de comunicação social. O intercâmbio direto com compositores como Helmut Lachenmann, Martin Schüttler, Jennifer Walshe, Bernhard Lang, Miguel Azguime e Sara Glojnarić influenciou fortemente a sua visão artística e inspirou-a a levar as suas próprias preocupações ao palco. Zapping Machine (2018), Extreme Makeover (2018/2021) e When I Walk/Quando m’en vo (2020/2023) foram os seus primeiros passos no campo da intervenção artística. Em 2025, Andrea estreou-se como encenadora com a ópera experimental Schaum, de Paul Hauptmeier e Martin Recker, em Bremen. Enquanto estudava na State University of Music and Performing Arts Stuttgart, com as Profs. Angelika Luz e Ulrike Sonntag, Andrea começou a ensinar improvisação vocal na Trossingen State University of Music (2020-2023). Como professora convidada, conduziu workshops e seminários no Balleteatro no Porto e na Łódź University of Music, na Polónia. Foi premiada com a bolsa do&nbsp;Kunststiftung Baden-Württemberg e recebeu ainda o apoio InSzene:Vokal, do Podium Gegenwart do Conselho Musical Alemão, reconhecendo-a como uma voz promissora da música contemporânea. Por favor, não edite a biografia de Andrea Conangla sem permissão. <img width="3252" height="917" width_o="3252" height_o="917" data-src="https://freight.cargo.site/t/original/i/a65d1794f75585394dde774cbddd1bc2a7071dd8e9ba5c312f8f9ae158069341/Podium-Gegenwart_Violett_DMR-Blau_CMYK-01.png" data-mid="144155822" border="0" data-scale="5" data-icon-mode src="https://freight.cargo.site/w/1000/i/a65d1794f75585394dde774cbddd1bc2a7071dd8e9ba5c312f8f9ae158069341/Podium-Gegenwart_Violett_DMR-Blau_CMYK-01.png" /> Este website foi financiado pelo InSzene, um programa do conselho musical alemão. https://andreaconangla.com/photos-pt Tue, 31 May 2022 14:38:48 +0000 Andrea Conangla - Soprano https://andreaconangla.com/photos-pt bio fotos press <img width="1998" height="3000" width_o="1998" height_o="3000" data-src="https://freight.cargo.site/t/original/i/6237a964393e9d4e137133a6ee55e55344f02bd7ce0edac5ca1544bc43977a80/Portrait_Andrea-Conangla_20225152.jpg" data-mid="161463158" border="0" alt="Foto: Matthias Baus" data-caption="Foto: Matthias Baus" src="https://freight.cargo.site/w/1000/i/6237a964393e9d4e137133a6ee55e55344f02bd7ce0edac5ca1544bc43977a80/Portrait_Andrea-Conangla_20225152.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/850f3d9c834f50b2afba1e55994e43b30b6e2fe032791b81290e675a6773dbef/Portrait_Andrea-Conangla_20225241.jpg" data-mid="161463152" border="0" src="https://freight.cargo.site/w/1000/i/850f3d9c834f50b2afba1e55994e43b30b6e2fe032791b81290e675a6773dbef/Portrait_Andrea-Conangla_20225241.jpg" /> <img width="3302" height="3849" width_o="3302" height_o="3849" data-src="https://freight.cargo.site/t/original/i/83709fc81378f85199f496b6384408597800a3790d207da023c100d44ee9d2c1/Portrait_Andrea-Conangla_20225169.jpg" data-mid="161463242" border="0" src="https://freight.cargo.site/w/1000/i/83709fc81378f85199f496b6384408597800a3790d207da023c100d44ee9d2c1/Portrait_Andrea-Conangla_20225169.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/67da8b84c120a03688a8961694481a845bd6737b7ad27dd37e4411d995be462b/Portrait_Andrea-Conangla_20225215.jpg" data-mid="161463159" border="0" src="https://freight.cargo.site/w/1000/i/67da8b84c120a03688a8961694481a845bd6737b7ad27dd37e4411d995be462b/Portrait_Andrea-Conangla_20225215.jpg" /> <img width="4954" height="3302" width_o="4954" height_o="3302" data-src="https://freight.cargo.site/t/original/i/1a9ae28052b48a5a69c64392082a75bf95c9a6ae5834e4a85652cd8265b672c3/Portrait_Andrea-Conangla_20225252.jpg" data-mid="161463239" border="0" src="https://freight.cargo.site/w/1000/i/1a9ae28052b48a5a69c64392082a75bf95c9a6ae5834e4a85652cd8265b672c3/Portrait_Andrea-Conangla_20225252.jpg" /> <img width="3302" height="4954" width_o="3302" height_o="4954" data-src="https://freight.cargo.site/t/original/i/3b9c16228459d26961543bad0a275c9c6cbc505ebd0b6bf7af2ec09a296b5b37/Portrait_Andrea-Conangla_20225098.jpg" data-mid="161462700" border="0" src="https://freight.cargo.site/w/1000/i/3b9c16228459d26961543bad0a275c9c6cbc505ebd0b6bf7af2ec09a296b5b37/Portrait_Andrea-Conangla_20225098.jpg" /> <img width="3302" height="4954" width_o="3302" height_o="4954" data-src="https://freight.cargo.site/t/original/i/8c301c58400adcd8368aee91e914c6974d45e753479b8c63b5b094761c34a3c2/Portrait_Andrea-Conangla_20225291.jpg" data-mid="161463234" border="0" alt="Foto: Matthias Baus" data-caption="Foto: Matthias Baus" src="https://freight.cargo.site/w/1000/i/8c301c58400adcd8368aee91e914c6974d45e753479b8c63b5b094761c34a3c2/Portrait_Andrea-Conangla_20225291.jpg" /> <img width="3302" height="4954" width_o="3302" height_o="4954" data-src="https://freight.cargo.site/t/original/i/224c345ec1d0a30105561ee615137939151634ceaf9aff8ec33a73d60df2b012/Portrait_Andrea-Conangla_20225271.jpg" data-mid="161463237" border="0" src="https://freight.cargo.site/w/1000/i/224c345ec1d0a30105561ee615137939151634ceaf9aff8ec33a73d60df2b012/Portrait_Andrea-Conangla_20225271.jpg" /> <img width="4954" height="3302" width_o="4954" height_o="3302" data-src="https://freight.cargo.site/t/original/i/76c3434453bfe201aa02d07159f42e5d7e29301fb78ea1548bef35160b1a41a9/Portrait_Andrea-Conangla_20225301.jpg" data-mid="161463232" border="0" src="https://freight.cargo.site/w/1000/i/76c3434453bfe201aa02d07159f42e5d7e29301fb78ea1548bef35160b1a41a9/Portrait_Andrea-Conangla_20225301.jpg" /> <img width="3302" height="4954" width_o="3302" height_o="4954" data-src="https://freight.cargo.site/t/original/i/82e7134425d1ccfc05a81394caf2a63dd33e8a908eae704f884510de86eb075b/Portrait_Andrea-Conangla_20225352.jpg" data-mid="161463230" border="0" src="https://freight.cargo.site/w/1000/i/82e7134425d1ccfc05a81394caf2a63dd33e8a908eae704f884510de86eb075b/Portrait_Andrea-Conangla_20225352.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/9b1272a5a5c274fe23905af376484156699b7aefb8363fcc9fdce37b28d754f5/Portrait_Andrea-Conangla_20225350.jpg" data-mid="161463156" border="0" alt="Foto: Matthias Baus" data-caption="Foto: Matthias Baus" src="https://freight.cargo.site/w/1000/i/9b1272a5a5c274fe23905af376484156699b7aefb8363fcc9fdce37b28d754f5/Portrait_Andrea-Conangla_20225350.jpg" /> <img width="2422" height="3000" width_o="2422" height_o="3000" data-src="https://freight.cargo.site/t/original/i/889e43008bd03385c04caed6b4677927b67c6dbbd6cae736e7d23362e5e00b75/Portrait_Andrea-Conangla_20225412.jpg" data-mid="161463155" border="0" src="https://freight.cargo.site/w/1000/i/889e43008bd03385c04caed6b4677927b67c6dbbd6cae736e7d23362e5e00b75/Portrait_Andrea-Conangla_20225412.jpg" /> <img width="2009" height="3000" width_o="2009" height_o="3000" data-src="https://freight.cargo.site/t/original/i/84f96b5f8251d701ef66af1ef6a3fabec224f3ccd9721730efe3be01b26373d4/Portrait_Andrea-Conangla_20225441.jpg" data-mid="161462698" border="0" src="https://freight.cargo.site/w/1000/i/84f96b5f8251d701ef66af1ef6a3fabec224f3ccd9721730efe3be01b26373d4/Portrait_Andrea-Conangla_20225441.jpg" /> Fotografia: Matthias Baus ︎︎︎ download do press-kit para fotos em alta resolução https://andreaconangla.com/press-pt Tue, 31 May 2022 14:38:51 +0000 Andrea Conangla - Soprano https://andreaconangla.com/press-pt bio fotos press Sem Tabus—Portrait no SWR Kunscht! MeToo, racismo, body-shaming ou diversidade—temas que também estão presentes nas universidades de música, nas casas de ópera e nos palcos de concertos neste país e em todo o mundo, mas que normalmente não são falados abertamente. A jovem soprano Andrea Conangla aborda-os: de forma profissional e pessoal, corajosa, convincente e comovente. Nascida em Espanha, criada em Portugal, a artista de 29 anos vive em Estugarda desde 2017 e é activa com a sua voz tanto no campo da música clássica como da música nova—e é também professora na Universidade de Música de Trossingen desde 2020. Conheça a versátil jovem mulher. Entrevista em Alemão.. artigos de jornal Andrea Conangla de corpo e voz no fe.mi.ni.no: “O feminismo não é uma estética” “Desde miúda que me chamam revolucionária ou activista” era “uma espécie de graçola que se tornou realidade” diz Andrea, através da janela Zoom em que o seu gato teima aparecer. Essa “realidade” começou a ganhar forma na Alemanha, onde aprendeu a melhor articular as inquietações políticas e sociais com o fazer artístico. “Jennifer Walshe e Martin Schüttler deram-me grandes impulsos a esse nível.” Na altura a preparar o projecto final do mestrado, Andrea decidiu trabalhar sobre o corpo e a sua experiência quotidiana enquanto mulher e cantora, subscrevendo a tese feminista de que o pessoal não só é político, mas também matéria criativa. “A Jenni [Jennifer Walshe] mostrou-me Roxane Gay, que mudou a minha vida. O livro Hunger é um testemunho cru sobre o corpo da autora, sobre como uma “fome” de estar em segurança se traduziu no seu tamanho”. Por outro lado, “nas aulas de Martin [professor de Composição e de Música Política], discutiam-se estéticas e os mais complexos aspectos da música de Helmut Lachenmann ou de Luigi Nono com o mesmo prazer e seriedade com que se discutia o impacto cultural dos Beatles, de Lemonade da Beyoncé ou da música subversiva das Pussy Riot.” ︎ ler mais! Texto em Português. Quando m’en vo / When I go no Jornal Público“"Como estás, miúda?", "Sorri", "Alguém está a reconhecer que és bonita", "Devias agradecer mais!" A sucessão de comentários vai caindo num vídeo projectado que mostra uma mulher a andar pela rua. Em frente a ele, Andrea Conangla, cantora de ópera portuguesa a viver na Alemanha, interpreta Quando m'en vo, da ópera La Bohème, enquanto várias mulheres partilham as suas próprias experiências de assédio no vestido que a artista usa.” ︎ ler mais! Texto em Português. Jornal de Estugarda - A arte em primeira mão “A cantora de ópera Andrea Conangla, por exemplo, começou a primeira parte com Puccini e terminou com John Cage e testemunhos de mulheres sobre o debate do metoo. Entretanto, ela explorou de forma idiossincrática o clássico dos Beatles "Yesterday" sob o título "British Invasion is not over". "Isso foi escrito pelo nosso bolseiro de composição Ui-Kyung Lee", diz Milla. "Desde 2012 temos uma bolsa de estudo para novas formas de música, que não se limita explicitamente à música contemporânea, mas inclui música pop experimental.”” ︎ ler mais! Texto em Alemão. InSzene:Vokal inicia a primeira ronda de financiamento “Foi iniciado o novo programa de financiamento "InSzene: Vokal" do Podium Gegenwart no Conselho de Música Alemão: As sopranos Andrea Conangla e Viktoriia Vitrenko, bem como os conjuntos vocais Neue Kammer e Trio vis-à-vis convenceram o júri e serão incluídos no programa de financiamento de dois anos.” ︎ ler mais! Texto em Alemão. críticasRimas e BatidasA sua voz, expandida por técnicas que ultrapassam a carne, toca no indizível. [...] Nos palcos, onde o tempo se estilhaça e se reconstrói, Andrea encarnou seres de outros tempos e lugares [...] cruzando óperas e galáxias sonoras. [...] Andrea não só canta; ela cria universos sonoros. Ao lado de compositores visionários como Lachenmann e Azguime, fez da sua voz uma arma de intervenção artística. ︎ ler mais! Schwäbisches Tagblatt Uma impressionante acrobata vocal [...] grande e avassaladora, com um domínio vocal impressionante, alturas extremas e um sensacional leque de possibilidades. Uma voz que de repente preenche o espaço. ︎ ler mais! Texto em Alemão. Berliner Zeitung Tal como os seus corpos dominam os passos e os pontapés, as suas vozes saltam pelas oitavas para extremos cada vez mais espectaculares [...] No final, uma libertação de sensualidade muito especial, vibrante e peculiar. ︎ ler mais! Texto em Alemão. Jornal Público (…) magistralmente trabalhada pelos intérpretes, especialmente pelas vozes de Camila Mandillo e Andrea Conangla, cuja plasticidade vocal, associada a um timbre cristalino e ao extremo cuidado na entrega do texto, nos maravilhou em vários momentos, não obstante uma partitura exigente.&nbsp;︎ ler mais! Pamina Klassik Maganize No entanto, a noite abriu com duas canções escritas alguns anos antes, com base em textos de Goethe: "Hoffnung" (Esperança) e "An den Mond" (À Lua) descrevem os pólos opostos do dia e da noite, e a voz suave, prateada e elegante de Andrea Conangla chamou aqui a atenção do ouvinte (...). Texto em Alemão. podcasts | entrevistasAntena 2 RTP - Música de Invenção e Pesquisa Autopsychografia na rádio, por Miguel Azguime. Programa em Português. Antena 2 RTP - Império dos Sentidos Entrevista com o jornalista Paulo Alves Guerra para o programa&nbsp;Império dos Sentidos, a anunciar o concertp&nbsp;no fe·mi·ni·no. Entrevista em Português. Kunststiftung Podcast No terceiro episódio do podcast Kunststiftung Baden-Württemberg, Jessica Steinle e Laura Breier entrevistam a cantora Andrea Conangla. Para além de uma entrevista, ela canta obras de Saariaho, Cage, Aperghis, e uma das arias de Puccini Quando m'en vo, entre outras. Entrevista em Alemão. documentação no fe·mi·ni·no // andrea conangla no fe·mi·ni·no é a reflexão artística de Andrea Conangla sobre o papel da mulher na sociedade, na arte e na cultura - uma viagem musical de mais de dois séculos, onde música clássica, música conceptual e cultura pop se cruzam com ativismo, feminismo, música- política e mixed media. 22 de Setembro de 2023, O’culto da Ajuda, Lisboa. “A Laugh to Cry” - Multimedia Opera by Miguel Azguime Composto por Miguel Azguime, que também se apresenta em palco, e encenado por Paula Azguime, esta ópera multimédia é representada por um jovem elenco de cantores e pelos músicos do Sond’Ar-te Electric Ensemble dirigidos pelo Maestro Pedro Neves. No Teatro Viriato, assistimos este projeto da NEW OP-ERA e ninguém ficou indiferente.No âmbito do 16.º Festival Internacional de Música da Primavera, a 20 de Abril, 2023. "Ich flüchte in Dein Zauberzelt" Prof. Angelika Luz, dramaturgias e encenação Oliver Röckle, video Partituras a partir de sinais enigmáticos—Deutsches Literaturarchiv Com olhos e ouvidos, mãos e pés, e com toda a gama da sua arte vocal, Angelika Luz, ex-alunos e estudantes da Universidade de Música e Artes Performativas de Estugarda (Rebekka Bigelmayr, Andrea Conangla, Karera Fujita, Cong Wei e Pascal Zurek) interpretaram algumas das obras expostas em "punktpunktkommastrich". Sistemas de Sinais no Arquivo Literário e outras partituras de sinais enigmáticos. https://andreaconangla.com/bio-de Tue, 31 May 2022 16:51:50 +0000 Andrea Conangla - Soprano https://andreaconangla.com/bio-de bio fotos press <img width="2184" height="3000" width_o="2184" height_o="3000" data-src="https://freight.cargo.site/t/original/i/69fe15252b7fb9bee682a723a43f13480af6778e8ac3093ef65fc2f24b417d48/Portrait_Andrea-Conangla_20225352.jpg" data-mid="161464944" border="0" src="https://freight.cargo.site/w/1000/i/69fe15252b7fb9bee682a723a43f13480af6778e8ac3093ef65fc2f24b417d48/Portrait_Andrea-Conangla_20225352.jpg" /> <img width="2184" height="3000" width_o="2184" height_o="3000" data-src="https://freight.cargo.site/t/original/i/69fe15252b7fb9bee682a723a43f13480af6778e8ac3093ef65fc2f24b417d48/Portrait_Andrea-Conangla_20225352.jpg" data-mid="161464944" border="0" src="https://freight.cargo.site/w/1000/i/69fe15252b7fb9bee682a723a43f13480af6778e8ac3093ef65fc2f24b417d48/Portrait_Andrea-Conangla_20225352.jpg" /> <img width="2184" height="3000" width_o="2184" height_o="3000" data-src="https://freight.cargo.site/t/original/i/69fe15252b7fb9bee682a723a43f13480af6778e8ac3093ef65fc2f24b417d48/Portrait_Andrea-Conangla_20225352.jpg" data-mid="161464944" border="0" src="https://freight.cargo.site/w/1000/i/69fe15252b7fb9bee682a723a43f13480af6778e8ac3093ef65fc2f24b417d48/Portrait_Andrea-Conangla_20225352.jpg" /> Andrea Conangla, Sopran, von der Presse als eine staunenswerte Stimm-Akrobatin beschrieben, wird für ihre außergewöhnliche vokale Beweglichkeit, ihre markante Bühnenpräsenz und ihre feinsinnige musikalische Gestaltung geschätzt. Ihr Kalender spiegelt eine kohärente und unverwechselbar persönliche künstlerische Vision wider, die historisch informierte Aufführungspraxis, virtuose neue Oper, kollaborative Musiktheaterformate und zunehmend auch ihre eigene Arbeit als Kuratorin, Komponistin-Improvisatorin und Regisseurin umfasst. Im Jahr 2025 verkörperte Andrea Mozarts Königin der Nacht (Die Zauberflöte), Händels Cleopatra (Giulio Cesare) und Rameaus La Folie (Platée) auf einer Tournee mit dem Orquestra Metropolitana de Lisboa. An der Neuköllner Oper in Berlin sang sie die komödiantische Rolle des Geist in der Uraufführung von Body Work von Laura Winkler in der Regie von Amy Stebbins und setzte ihre Zusammenarbeit mit dem Sond’Arte Electric Ensemble fort, mit mehreren Aufführungen von Miguel Azguimes A Laugh to Cry im Laufe des Jahres. Parallel dazu präsentierte sie ihr Debütalbum Autopsychografia (2024) mit Werken von Helmut Lachenmann, Sara Glojnarić, Igor C. Silva und Sofia Borges nach Texten von Fernando Pessoa im O’culto da Ajuda in Lissabon sowie beim Open Music Festival in Graz. Nach ihrem Debüt an der Staatsoper Stuttgart in Monteverdis L’Orfeo übernahm sie die Titelpartie der Uraufführung von Icaro von Alessandro Battici bei JOiN — Junge Oper im Nord. In der Saison 2023/24 war sie Solistin mit den Münchner Philharmonikern in der Isarphilharmonie und sprang später mit weniger als 24 Stunden Vorlaufzeit an der Théâtre Royal de la Monnaie in Brüssel als Talus in der Uraufführung von Solar – Icarus Burning von Howard Moody ein. Zum 100. Geburtstag von György Ligeti sang sie Mysteries of the Macabre unter der Leitung von Nuno Coelho in Portugal. Andrea ist zudem regelmäßig als Oratoriensolistin zu hören, unter anderem in Bachs Weihnachtsoratorium und Matthäus-Passion, Mozarts Exsultate, jubilate und Regina coeli sowie Brahms’ Ein deutsches Requiem. Als Liedinterpretin arbeitete sie mit Pianisten wie Thomas Seyboldt, Jana Luksts und Marcelo Amaral zusammen und widmet sich besonders unkonventionellen Programmen, die klassische Werke der Liedtradition mit neuen Kompositionen und politischer Reflexion verbinden. Ihr Programm no fe·mi·ni·no — eine Neubetrachtung von Schumanns Frauenliebe und Leben in einem modernen, multimedialen Kontext — erregte große mediale Aufmerksamkeit. Der direkte Austausch mit Komponist*innen wie Helmut Lachenmann, Martin Schüttler, Jennifer Walshe, Bernhard Lang, Miguel Azguime und Sara Glojnarić hat ihre künstlerische Haltung nachhaltig geprägt und sie dazu ermutigt, eigene Themen auf die Bühne zu bringen. Zapping Machine (2018), Extreme Makeover (2018/2021) und When I Walk/Quando m’en vo (2020/2023) markieren ihre frühen Schritte im Bereich künstlerischer Intervention. Im Jahr 2025 gab Andrea ihr Regiedebüt mit der experimentellen Oper Schaum von Paul Hauptmeier und Martin Recker in Bremen. Während ihres Studiums an der Staatlichen Hochschule für Musik und Darstellende Kunst Stuttgart bei Prof. Angelika Luz und Prof. Ulrike Sonntag begann Andrea, an der Staatlichen Hochschule für Musik Trossingen (2020–2023) Vokalimprovisation zu unterrichten. Als Gastdozentin leitete sie Workshops und Seminare am Balleteatro in Porto und an der Musikakademie Łódź in Polen. Sie war Stipendiatin der Kunststiftung Baden-Württemberg und wurde mit der InSzene:Vokal-Förderung von Podium Gegenwart des Deutschen Musikrats als vielversprechende Stimme der zeitgenössischen Musik ausgezeichnet. Bitte die Biografie von Andrea Conangla nicht ohne Zustimmung bearbeiten. <img width="3252" height="917" width_o="3252" height_o="917" data-src="https://freight.cargo.site/t/original/i/a65d1794f75585394dde774cbddd1bc2a7071dd8e9ba5c312f8f9ae158069341/Podium-Gegenwart_Violett_DMR-Blau_CMYK-01.png" data-mid="144171381" border="0" data-scale="5" data-icon-mode src="https://freight.cargo.site/w/1000/i/a65d1794f75585394dde774cbddd1bc2a7071dd8e9ba5c312f8f9ae158069341/Podium-Gegenwart_Violett_DMR-Blau_CMYK-01.png" /> Diese Website wurde von InSzene, einem Programm des Deutschen Musikrats, gefördert. https://andreaconangla.com/photos-de Tue, 31 May 2022 16:51:58 +0000 Andrea Conangla - Soprano https://andreaconangla.com/photos-de bio fotos press <img width="1998" height="3000" width_o="1998" height_o="3000" data-src="https://freight.cargo.site/t/original/i/3a8557eb20bbbbc2fae315a4cbbe86a08e20f7d34c1aa6637227ce8250ee0956/Portrait_Andrea-Conangla_20225152.jpg" data-mid="161464342" border="0" 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/> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/7edfdc827e36ddfb79dc17ca26745954b53904bd5fe3039f35fd7e2a462c009b/Portrait_Andrea-Conangla_20225215.jpg" data-mid="161464343" border="0" src="https://freight.cargo.site/w/1000/i/7edfdc827e36ddfb79dc17ca26745954b53904bd5fe3039f35fd7e2a462c009b/Portrait_Andrea-Conangla_20225215.jpg" /> <img width="3302" height="3849" width_o="3302" height_o="3849" data-src="https://freight.cargo.site/t/original/i/64273baeddf9ae7a2b4b95ad224909b561295f02e9048a969b816693c8ac9c52/Portrait_Andrea-Conangla_20225169.jpg" data-mid="161464328" border="0" src="https://freight.cargo.site/w/1000/i/64273baeddf9ae7a2b4b95ad224909b561295f02e9048a969b816693c8ac9c52/Portrait_Andrea-Conangla_20225169.jpg" /> <img width="3302" height="4954" width_o="3302" height_o="4954" data-src="https://freight.cargo.site/t/original/i/081e896800968ae12368b68463c128a969afa30b6c94a25d2b4efd13daf9a2ff/Portrait_Andrea-Conangla_20225098.jpg" data-mid="161464333" border="0" src="https://freight.cargo.site/w/1000/i/081e896800968ae12368b68463c128a969afa30b6c94a25d2b4efd13daf9a2ff/Portrait_Andrea-Conangla_20225098.jpg" /> <img width="3302" height="4954" width_o="3302" height_o="4954" data-src="https://freight.cargo.site/t/original/i/9c8791c9032ead1d2b3decea3f653c18d2e359d5a9af73937ed354a09c6c81cb/Portrait_Andrea-Conangla_20225291.jpg" data-mid="161464320" border="0" alt="Foto: Matthias Baus" data-caption="Foto: Matthias Baus" src="https://freight.cargo.site/w/1000/i/9c8791c9032ead1d2b3decea3f653c18d2e359d5a9af73937ed354a09c6c81cb/Portrait_Andrea-Conangla_20225291.jpg" /> <img width="3302" height="4954" width_o="3302" height_o="4954" data-src="https://freight.cargo.site/t/original/i/d0155d7c5a324d5bbe7aa43dd31c6edb7fb20ecb1e96a2b22ef4e373ec425e59/Portrait_Andrea-Conangla_20225271.jpg" data-mid="161464323" border="0" src="https://freight.cargo.site/w/1000/i/d0155d7c5a324d5bbe7aa43dd31c6edb7fb20ecb1e96a2b22ef4e373ec425e59/Portrait_Andrea-Conangla_20225271.jpg" /> <img width="4954" height="3302" width_o="4954" height_o="3302" data-src="https://freight.cargo.site/t/original/i/d5d1fcdd3125c86bd18b321d9567b0bf16733dbd707e0994f33d0996db570d42/Portrait_Andrea-Conangla_20225301.jpg" data-mid="161464318" border="0" src="https://freight.cargo.site/w/1000/i/d5d1fcdd3125c86bd18b321d9567b0bf16733dbd707e0994f33d0996db570d42/Portrait_Andrea-Conangla_20225301.jpg" /> <img width="2184" height="3000" width_o="2184" height_o="3000" data-src="https://freight.cargo.site/t/original/i/971afe998bd8912a82d1751fba1af3686e79d7b8db47815f6af064326908a8a0/Portrait_Andrea-Conangla_20225352.jpg" data-mid="161464336" border="0" src="https://freight.cargo.site/w/1000/i/971afe998bd8912a82d1751fba1af3686e79d7b8db47815f6af064326908a8a0/Portrait_Andrea-Conangla_20225352.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/9f998b18403684388a034a946cde69397aae2746d902b20a6dfe7e99b883eb9c/Portrait_Andrea-Conangla_20225350.jpg" data-mid="161464339" border="0" alt="Foto: Matthias Baus" data-caption="Foto: Matthias Baus" src="https://freight.cargo.site/w/1000/i/9f998b18403684388a034a946cde69397aae2746d902b20a6dfe7e99b883eb9c/Portrait_Andrea-Conangla_20225350.jpg" /> <img width="2422" height="3000" width_o="2422" height_o="3000" data-src="https://freight.cargo.site/t/original/i/79235f071081ebcd08cf9b795c90dd72b6fda00d7f369f45b8e5c4faeacc4e01/Portrait_Andrea-Conangla_20225412.jpg" data-mid="161464338" border="0" src="https://freight.cargo.site/w/1000/i/79235f071081ebcd08cf9b795c90dd72b6fda00d7f369f45b8e5c4faeacc4e01/Portrait_Andrea-Conangla_20225412.jpg" /> <img width="2009" height="3000" width_o="2009" height_o="3000" data-src="https://freight.cargo.site/t/original/i/8fb998822b9347193a69d3c84736109810e24d6cee4a704540cb2c5fe295ec7b/Portrait_Andrea-Conangla_20225441.jpg" data-mid="161464337" border="0" src="https://freight.cargo.site/w/1000/i/8fb998822b9347193a69d3c84736109810e24d6cee4a704540cb2c5fe295ec7b/Portrait_Andrea-Conangla_20225441.jpg" /> Fotografie: Matthias Baus ︎︎︎ Download Pressemappe für hochauflösende Fotos https://andreaconangla.com/press-de Tue, 31 May 2022 16:52:06 +0000 Andrea Conangla - Soprano https://andreaconangla.com/press-de bio fotos press Keine Tabus—Portrait bei SWR Kunscht! MeToo, Rassismus, Body-Shaming oder Diversität—Themen, die auch an Musikhochschulen, in Opernhäusern und auf den Konzertbühnen hierzulande und in aller Welt präsent sind, über die meist aber nicht offen gesprochen wird. Die junge Stuttgarter Sopranistin Andrea Conangla packt sie an: professionell und persönlich, mutig, überzeugend und berührend. In Spanien geboren, in Portugal aufgewachsen, lebt die 29-jährige Künstlerin seit 2017 in Stuttgart und ist mit ihrer Stimme auf dem Gebiet der Klassischen wie der Neuen Musik aktiv—und seit 2020 auch als Dozentin an der staatlichen Hochschule für Musik Trossingen tätig. Kunscht! hat die vielseitig begabte junge Frau getroffen. Interview auf Deutsch. presseartikel Andrea Conangla mit Körper und Stimme no fe.mi.ni.no: " Der Feminismus ist keine Ästhetik". "Seit ich ein kleines Mädchen war, wurde ich als Revolutionärin oder Aktivistin bezeichnet", sagt Andrea durch das Zoom-Fenster, in dem ihre Katze fröhlich erscheint. Diese "Realität" begann in Deutschland Form anzunehmen, wo sie lernte, wie sie ihre politischen und sozialen Anliegen in ihrer künstlerischen Arbeit besser artikulieren könnte. “Jennifer Walshe und Martin Schüttler haben mir in dieser Hinsicht große Impulse gegeben." Als sie ihr Abschlussprojekt für ihr Masterstudium vorbereitete, beschloss Andrea, sich mit dem Thema Körper und ihrer alltäglichen Erfahrung als Frau und Sängerin zu befassen und sich der feministischen These anzuschließen, dass das Persönliche nicht nur politisch, sondern auch ein kreatives Mittel ist. "Jenni [Jennifer Walshe] hat mir Roxane Gay gezeigt, die mein Leben verändert hat. Das Buch “Hunger” ist ein rohes Zeugnis über den Körper der Autorin, darüber, wie sich ihr Hunger nach Sicherheit in ihrer Größe widerspiegelt." Andererseits "diskutierten wir in Martins [Professor für Komposition und politische Musik] Kursen über Ästhetik und die komplexesten Aspekte der Musik von Helmut Lachenmann oder Luigi Nono mit dem gleichen Vergnügen und der gleichen Seriosität, mit der wir über die kulturellen Einflüsse der Beatles, Beyoncés Lemonade oder die subversive Musik von Pussy Riot diskutierten."&nbsp;︎ mehr lesen! Text auf Portugiesisch. Quando m’en vo / When I go auf Jornal Público“"Wie geht es dir, Mädel?", "'Lächle'", "Jemand bestätigt, dass du schön bist", "Du solltest etwas dankbarer sein!" Die Abfolge der Kommentare fällt auf ein projiziertes Video, das eine Frau zeigt, die die Straße entlanggeht. Davor singt Andrea Conangla "Quando m'en vo" aus der Oper "La Bohème", während mehrere Frauen in dem Kleid, das die Künstlerin trägt, von ihren eigenen Erfahrungen mit Belästigung berichten.” ︎ mehr lesen! Text auf Portugiesisch. Stuttgarter Zeitung—Hautnah dabei, wenn Kunst entsteht “Viele Künstler nutzen die Freiräume, die das Format ihnen bietet. Die Opernsängerin Andrea Conangla zum Beispiel begann in der ersten Staffel mit Puccini und endete mit John Cage und Zeugnissen von Frauen zur Metoo-Debatte. Zwischendrin beschäftigte sie sich unter dem Titel „British Invasion is not over“ auf eigenwillige Weise mit dem Beatles-Evergreen „Yesterday“. „Das stammt von unserem Kompositionsstipendiaten Ui-Kyung Lee“, sagt Milla. „Seit 2012 haben wir ein Stipendium für neue Musikformen, das sich explizit nicht auf Neue Musik beschränkt, sondern experimentelle Popmusik mit einbezieht.”” ︎ mehr lesen! Text auf Deutsch. InSzene:Vokal startet in erste Förderrunde “Das neue Förderprogramm „InSzene: Vokal“ des Podium Gegenwart im Deutschen Musikrat ist gestartet: Die Sopranistinnen Andrea Conanglaund Viktoriia Vitrenko sowie die Vokalensembles Neue Kammer und Trio vis-à-vis haben die Jury überzeugt und werden in die zweijährige Förderung aufgenommen.” ︎ mehr lesen! Text auf Deutsch. rezensionen Rimas e BatidasIhre Stimme, durch Techniken erweitert, die über das Körperliche hinausgehen, berührt das Unsagbare. [...] Auf der Bühne, wo sich die Zeit zersplittert und neu zusammensetzt, verkörperte Andrea Wesen aus anderen Zeiten und Orten [...] und durchquerte Opern und Klanggalaxien. [...] Andrea singt nicht nur; sie erschafft klangliche Universen. Gemeinsam mit visionären Komponisten wie Lachenmann und Azguime hat sie ihre Stimme zu einem Werkzeug künstlerischer Intervention gemacht. ︎ mehr lesen! Text auf Portugiesisch. Schwäbisches Tagblatt Eine staunenswerte Stimm-Akrobatin [...] groß und flutend, mit ungeheurer Stimmbeherrschung, extremer Höhe und einem sensationell breiten Spektrum an Möglichkeiten. Eine Stimme, die plötzlich mitten im Raum steht.&nbsp;&nbsp;︎ mehr lesen! Berliner Zeitung&nbsp;Wie ihre Körper die Steps und Kicks bewältigen, hüpfen auch ihre Stimmen über die Oktaven hinweg in immer spektakulärere Extreme [...] Am Ende eine sehr spezielle, schrill-schräge Befreiung der Sinnlichkeit. ︎ mehr lesen! Jornal Público (...) meisterhaft gearbeitet von den Interpret*innen, vor allem von den Stimmen von Camila Mandillo und Andrea Conangla, deren stimmliche Plastizität, verbunden mit einem kristallinen Timbre und der extremen Sorgfalt bei der Übertragung des Textes, uns in mehreren Momenten verblüffte, trotz einer anspruchsvollen Partitur.&nbsp;︎ mehr lesen! Text auf Portugiesisch. Pamina Klassik Maganize Eröffnet wurde der Abend jedoch mit zwei Liedern, die einige Jahre zuvor nach Texten von Goethe entstanden sind: „Hoffnung“ und „An den Mond“ beschreiben die Gegenpole Tag und Nacht, und aufhorchen lässt hier der weiche, silbrig-schlanke Sopran von Andrea Conangla (...). podcasts | interviews Antena 2 RTP - Música de Invenção e Pesquisa Autopsychografia im portugiesischen Radio. Sendung auf Portugiesisch. Antena 2 RTP - Império dos Sentidos Interview mit dem Journalisten Paulo Alves Guerra für die Sendung Império dos Sentidos, die das Konzert no fe·mi·ni·no&nbsp;ankündigt. Interview auf Portugiesisch. Kunststiftung Podcast In der dritten Folge unseres Podcasts der Kunststiftung Baden-Württemberg interviewen Jessica Steinle und Laura Breier die Sängerin Andrea Conangla. Neben einem Interview singt sie u.a. Werke von Saariaho, Cage, Aperghis, und ein von Puccinis Arie Quando m'en vo. Interview auf Deutsch. projektdokumentation no fe·mi·ni·no // andrea conangla no fe·mi·ni·no ist Andrea Conanglas künstlerische Reflexion über die Rolle der Frau in Gesellschaft, Kunst und Kultur - eine musikalische Reise durch mehr als zwei Jahrhunderte, in der sich klassische Musik, Konzeptuelle Musik und Popkultur mit Aktivismus, Feminismus, Politischen Musik und Mixed-Media kreuzen. 22. Setembro 2023, O’culto da Ajuda, Lissabon. “A Laugh to Cry” - Multimedia Opera by Miguel Azguime Komponiert von Miguel Azguime, der auch selbst auf der Bühne steht, und unter der Regie von Paula Azguime wird diese Multimedia-Oper von einem jungen Ensemble von Sänger*innen und den Musiker*innen des Sond'Ar-te Electric Ensemble unter der Leitung von Maestro Pedro Neves aufgeführt. Im Teatro Viriato haben wir uns dieses NEUE OP-ERA-Projekt angesehen, und niemand blieb gleichgültig "Ich flüchte in Dein Zauberzelt" Prof. Angelika Luz, Dramaturgie /Szene/Leitung/Videoskript Oliver Röckle, Video Scores from enigmatic signs—Deutsches Literaturarchiv Mit Aug’ und Ohr, mit Hand und Fuß und mit der ganzen Bandbreite ihrer Stimmkunst interpretieren Angelika Luz, Alumni und Studierende der Hochschule für Musik und Darstellende Kunst Stuttgart (Rebekka Bigelmayr, Andrea Conangla, Karera Fujita, Cong Wei und Pascal Zurek) einige der ausgestellten Exponate von "punktpunktkommastrich. Zeichensysteme im Literaturarchiv und weitere Partituren aus rätselhaften Zeichen.