2026
10, 11 Jul
︎ 21:00
A Laugh to Cry
New op-era by Miguel Azguime
Pedro Neves, conductor
Camila Mandillo, soprano
Andrea Conangla, coloratura soprano
André Henriques, bass-baritone
Miguel Azguime, speaker
Jade Mandillo, speaker
Sond’Ar-te Electric Ensemble
︎Teatro S. Luiz, Lisboa (Portugal)
Pedro Neves, conductor
Camila Mandillo, soprano
Andrea Conangla, coloratura soprano
André Henriques, bass-baritone
Miguel Azguime, speaker
Jade Mandillo, speaker
Sond’Ar-te Electric Ensemble
︎Teatro S. Luiz, Lisboa (Portugal)
2 Jul
︎ 20:00
Composer’s Workshop for Voice and Orchestra — Part III & Final Concert
Fundação Calouste Gulbenkian
com Cecília Rodrigues, soprano
James MacMillan, conductor
Orquestra Gulbenkian
︎Fundação Calouste Gulbenkian, Lisboa (Portugal)
Luís Oliveira
Dreams-Entangled, para soprano e orquestraRose Roberts
Roar of Hope, para soprano e orquestraDavid Teixeira da Silva
e só arder, para dois sopranos e orquestracom Cecília Rodrigues, soprano
James MacMillan, conductor
Orquestra Gulbenkian
︎Fundação Calouste Gulbenkian, Lisboa (Portugal)
13 Jun
Relicário Perpétuo
New Opera by Luís Tinoco
André Baleiro, Camila Mandillo, Andrea Conangla, Mariana Fabião, Rodrigo Carreto, André Henriques
Nuno Carinhas, staging
Joana Carneiro, conductor
Orquestra Sinfónica Portuguesa
︎Cineteatro Louletano, Loulé (Portugal)
André Baleiro, Camila Mandillo, Andrea Conangla, Mariana Fabião, Rodrigo Carreto, André Henriques
Nuno Carinhas, staging
Joana Carneiro, conductor
Orquestra Sinfónica Portuguesa
︎Cineteatro Louletano, Loulé (Portugal)
10, 11 Jun
Relicário Perpétuo
New Opera by Luís Tinoco
André Baleiro, Camila Mandillo, Andrea Conangla, Mariana Fabião, Rodrigo Carreto, André Henriques
Nuno Carinhas, staging
Joana Carneiro, conductor
Orquestra Sinfónica Portuguesa
︎Teatro Camões, Lisboa (Portugal)
André Baleiro, Camila Mandillo, Andrea Conangla, Mariana Fabião, Rodrigo Carreto, André Henriques
Nuno Carinhas, staging
Joana Carneiro, conductor
Orquestra Sinfónica Portuguesa
︎Teatro Camões, Lisboa (Portugal)
9, 10 Mai
︎ 19:15
Sonus Feminae
Komponistinnen in der Alte Musik
Kaija Saariaho: Tempest Songbook
for soprano, baritone and chamber ensemble
Tempest Songbook is a collection of arias written on various occasions and for various instrumentations between 1993 and 2014. The project started off as individual birthday pieces written by Kaija, who handpicked monologues from Shakespeare's Tempest for the moment’s dedicatee, but rapidly grew into a cohesive whole that samples the classic play in particular for its acoustic drama: sounds abound, orchestrated by the mastermind Prospero and his servant Ariel, and in them the composer found a distillation of the play’s essence as aural theatre-within-theatre. The result is a cycle of six short accompanied songs, which Kaija also adapted for Baroque instruments, and for some performances interspersed with music from Henry Purcell’s own Tempest.
- text from Kaija Saariaho’s website
Yalda Zamani, conductor
︎Villa Elisabeth, Berlin (Germany)
Kaija Saariaho: Tempest Songbook
for soprano, baritone and chamber ensemble
Tempest Songbook is a collection of arias written on various occasions and for various instrumentations between 1993 and 2014. The project started off as individual birthday pieces written by Kaija, who handpicked monologues from Shakespeare's Tempest for the moment’s dedicatee, but rapidly grew into a cohesive whole that samples the classic play in particular for its acoustic drama: sounds abound, orchestrated by the mastermind Prospero and his servant Ariel, and in them the composer found a distillation of the play’s essence as aural theatre-within-theatre. The result is a cycle of six short accompanied songs, which Kaija also adapted for Baroque instruments, and for some performances interspersed with music from Henry Purcell’s own Tempest.
- text from Kaija Saariaho’s website
Yalda Zamani, conductor
︎Villa Elisabeth, Berlin (Germany)
April
Artist in Residency: YARITORI 2026
蚕 Kaiko
An artistic research project that begins from the image of the silkworm, inspired by a poem by Misuzu Kaneko. The residency will serve as the starting point for new modern-music drawing an arc between Misuzu Kaneko, Sylvia Plath, and contemporary poets.
The project explores the figure of the woman, her artistic autonomy, and the ways in which depression and suicide appear across cultures as different as the Japanese and the Western ones. The motivation is deeply personal: it stems from the loss of an artist friend and teacher who chose to end his life, and from the search for a way to process grief through artistic language.
Kaiko focuses on the intimacy of isolation, the universe of dreams, sleep and death, and the vulnerability of speaking about these themes. A dialogue between voices of the last century and of today in order to decode a phenomenon that remains painfully present.
︎Matsudo/Tokyo (Japan)
An artistic research project that begins from the image of the silkworm, inspired by a poem by Misuzu Kaneko. The residency will serve as the starting point for new modern-music drawing an arc between Misuzu Kaneko, Sylvia Plath, and contemporary poets.
The project explores the figure of the woman, her artistic autonomy, and the ways in which depression and suicide appear across cultures as different as the Japanese and the Western ones. The motivation is deeply personal: it stems from the loss of an artist friend and teacher who chose to end his life, and from the search for a way to process grief through artistic language.
Kaiko focuses on the intimacy of isolation, the universe of dreams, sleep and death, and the vulnerability of speaking about these themes. A dialogue between voices of the last century and of today in order to decode a phenomenon that remains painfully present.
︎Matsudo/Tokyo (Japan)
9, 10 Feb
Composer’s Workshop for Voice and Orchestra — Part II
Fundação Calouste Gulbenkian
James MacMillan, conductor
Orquestra Gulbenkian
︎Fundação Calouste Gulbenkian, Lisboa (Portugal)
James MacMillan, conductor
Orquestra Gulbenkian
︎Fundação Calouste Gulbenkian, Lisboa (Portugal)
2025
8 Dec
︎ 17:00
The World of Opera
On a venturous journey through the world of opera, soprano Andrea Conangla performs some of the most spectacular and demanding arias from the 18th century repertoire. In the role of Cleopatra in Händel’s Giulio Cesare, she embodies the expression of relief and triumph in Da tempeste and the seductive power in V’adoro, pupille. With The Madness, he abandons himself in the satirical register of Rameau’s opera Platée. He succumbs to the lament and supplication of Almirena in Händel’s Rinaldo. It ends with the vengeance and bravery of the Queen of the Night in Mozart’s The Magic Flute. Alternately, the orchestra performs overtures from operas by Mozart and Rossini, passes through the stylized exoticism of Rameau in The Gallant Indies and ends with the contagious energy of Offenbach’s famous Can-Can.
Andrea Conangla, soprano
Pedro Neves, maestro
Orquestra Metropolitana de Lisboa
︎Teatro Tivoli BBVA, Lisboa (Portugal)
28 Nov
︎ 20:00
Autopsychografia
Open Music GrazIgor C. Silva Vou, for voice, keyboards and electronics (Text: Álvaro de Campos alias Fernando Pessoa) (2023)
Peter Ablinger aus: Voices and Piano: Nr. 9. Jean-Paul Sartre, for piano and tape (ab 1998)
Sofia Borges A Carta (Text: Maria José alias Fernando Pessoa) (2023)
Peter Ablinger aus: Voices and Piano: Nr. 19. Pier Paolo Pasolini, for piano and tape (ab 1998)
Sara Glojnarić THE POET IS A FAKER (Text: Fernando Pessoa) (2024)
Improvisation Coitadinho do Tiraninho
Helmut Lachenmann Got Lost (Texte: Álvaro de Campos alias Fernando Pessoa, Friedrich Nietzsche und anonymer Autor) (2007/08)
Andrea Conangla, artistic direction and voice
Jana Luksts, piano
Svitlana Zhytnia, live visuals
︎Brandhof 21, Hermann-Markus-Preßl-Saal, Graz (Austria)
26 Oct
︎ 16:00
The World of Opera
On a venturous journey through the world of opera, soprano Andrea Conangla performs some of the most spectacular and demanding arias from the 18th century repertoire. In the role of Cleopatra in Händel’s Giulio Cesare, she embodies the expression of relief and triumph in Da tempeste and the seductive power in V’adoro, pupille. With The Madness, he abandons himself in the satirical register of Rameau’s opera Platée. He succumbs to the lament and supplication of Almirena in Händel’s Rinaldo. It ends with the vengeance and bravery of the Queen of the Night in Mozart’s The Magic Flute. Alternately, the orchestra performs overtures from operas by Mozart and Rossini, passes through the stylized exoticism of Rameau in The Gallant Indies and ends with the contagious energy of Offenbach’s famous Can-Can.
Andrea Conangla, soprano
Pedro Neves, maestro
Orquestra Metropolitana de Lisboa
︎Audiorio da Amal, Lourinhã (Portugal)
25 Oct
︎ 21:30
The World of Opera
On a venturous journey through the world of opera, soprano Andrea Conangla performs some of the most spectacular and demanding arias from the 18th century repertoire. In the role of Cleopatra in Händel’s Giulio Cesare, she embodies the expression of relief and triumph in Da tempeste and the seductive power in V’adoro, pupille. With The Madness, he abandons himself in the satirical register of Rameau’s opera Platée. He succumbs to the lament and supplication of Almirena in Händel’s Rinaldo. It ends with the vengeance and bravery of the Queen of the Night in Mozart’s The Magic Flute. Alternately, the orchestra performs overtures from operas by Mozart and Rossini, passes through the stylized exoticism of Rameau in The Gallant Indies and ends with the contagious energy of Offenbach’s famous Can-Can.
Andrea Conangla, soprano
Pedro Neves, maestro
Orquestra Metropolitana de Lisboa
︎Cine-Teatro Curvo Semedo, Montemor-o-novo (Portugal)
18 Oct
︎ 21:00
A Laugh to Cry
New op-era by Miguel AzguimePedro Neves, conductor
Camila Mandillo, soprano
Andrea Conangla, coloratura soprano
André Henriques, bass-baritone
Miguel Azguime, speaker
Jade Mandillo, speaker
Sond’Ar-te Electric Ensemble
︎Centro de Artes e Espectáculo de Portalegre (Portugal)
4 Oct
︎ 19:30
Autopsychografia
90 years since Pessoa / 90 years of LachenmannMusic by Helmut Lachenmann, Sara Glojnarić, Igor C. Silva and Sofia Borges.
Andrea Conangla, artistic direction and voice
Jana Luksts, piano
Svitlana Zhytnia, live visuals
︎O’culto da Ajuda, Lisboa (Portugal)
26 Sep
︎ 20:00
27 Sep
︎ 17:00
︎ 20:00
Schaum
A multimedia experimental opera project in Horner Eck and Bremen's urban spacePaul Hauptmeier and Martin Recker, music
Andrea Conangla, stage direction and voice
Lidia Luciano, soprano
︎Horner Eck, Bremen (Germany)
9 Jun
︎ 18:30
VOCATIONS
Open Space - Songs and Vocal Practices Based on PoetrySara Glojnarić, music
THE POET IS A FAKER for voice and live.-electronics (2024)
Artefacts #2 for soprano, percussion and tape (2019)
Valentin Schuster, drums
︎Kuppelhalle, Silent Green, Berlin (Germany)
2 Jun
︎ 22:00
A Laugh to Cry
New op-era by Miguel AzguimeWorld Music Days 2025
Pedro Neves, conductor
Camila Mandillo, soprano
Andrea Conangla, coloratura soprano
André Henriques, bass-baritone
Miguel Azguime, speaker
Jade Mandillo, speaker
Sond’Ar-te Electric Ensemble
︎O’culto da Ajuda, Lisboa (Portugal)
9 Mar
︎ 19:00
Dietrich Buxtehude: Membra Jesu nostri, Kantate 2: Ad genua
Andrea Conangla, Sopran
Anna-Luise Oppelt, Alt
Andrew Munn, Bass
Adrian Büttemeier, conductor
Motettenchor der Berliner Domkantorei
Jakub Sawick, organ
︎Berliner Dom, Berlin (Germany)
27 Feb
Deutscher Musikautor*innenpreis der GEMA
Sara Glojnarić: THE POET IS A FAKER (2024)︎Ritz Carlton, Berlin (Germany)
8, 14 Feb
︎ 20:00
9 Feb
︎ 18:00
12, 16, 26, 28, 30, 31 Jan
︎ 20:00
BODY WORK
Musical theatre workout by Amy Stebbins (text and direction, at NKO SCHÖNER WOHNEN) and Laura Winkler (music) for two singers and two percussionists.The stage is a course of musical-percussive training equipment. A roaring treadmill, a ringing home trainer, a harp made of Pilates bands that drive, wear out nerves and make the rhythmically impossible possible. Body Work runs away from the only certainty of our lives in a ludicrous, accelerating musical theatre circuit training. Death, a running gag...
Andrea Conangla, Geist
Andrew Munn, Körper
Taiko Saito, percussion
Valentin Schuster, percussion
Amy Stebbins, text & direction
Laura Winkler, music
Christian Wiehle, stage and costume design
Änne-Marthe Kühn, dramaturgy
︎Neuköllner Opera, Berlin (Germany)
2024
3, 7, 14, 21, 26, 30 Dec
︎ 20:00
8 Dec
︎ 18:00
BODY WORK
Musical theatre workout by Amy Stebbins (text and direction, at NKO SCHÖNER WOHNEN) and Laura Winkler (music) for two singers and two percussionists.The stage is a course of musical-percussive training equipment. A roaring treadmill, a ringing home trainer, a harp made of Pilates bands that drive, wear out nerves and make the rhythmically impossible possible. Body Work runs away from the only certainty of our lives in a ludicrous, accelerating musical theatre circuit training. Death, a running gag...
Andrea Conangla, Geist
Andrew Munn, Körper
Taiko Saito, percussion
Valentin Schuster, percussion
Amy Stebbins, text & direction
Laura Winkler, music
Christian Wiehle, stage and costume design
Änne-Marthe Kühn, dramaturgy
︎Neuköllner Opera, Berlin (Germany)
23 Nov
︎ 20:00
Con Angelus Severus
Improvised concert in the series of sacred music services of the Stiftskirche St. Georg in TübingenAndrea Conangla, soprano
Sören Gieseler, organ
︎Stiftskirche St. Georg, Tübingen (Germany)
27, 28 Sep
POP-UP
OPER IM ÜBERFLUSS?
Kulturfestival Stadt im Fluss of the city Esslingen 2024Pop-Up Opera is a site specific project that deals with the topic "City in Abundance?" and is developed for the cultural festival Stadt im Fluss of the city of Esslingen. Opera, which is usually associated with abundance, is rethought and deconstructed through a minimalist and experimental look, using a typical singer-songwriter setup: a singer with a microphone, a loop station and a loudspeaker. The grandeur of opera is evoked through classical vocal techniques. By incorporating familiar operatic material into the loops, a soundscape is created to serve as a harmonic foundation to address contemporary issues such as abuse of power, greed, poverty and war through song.
The performance is divided through 4 different locations on the days 27th and 28th of September. Locations to be annouced closer to the date.
︎Esslingen (Germany)
24 Sep
︎ 19:30
InSzene: Vokal
Concert at the Theaterhaus Stuttgart in the Südseite Nachts seriesVou, Igor C. Silva
THE POET IS A FAKER, Sara Glojnarić
Karten
Ticket für ein Konzert: 10 € (ermäßigt 5 €)
Ticket für beide Konzerte: 15 € (ermäßigt 8 €)
︎Theaterhaus Stuttgart (Germany)
20 Sep
︎ 21:00
A Laugh to Cry
New op-era by Miguel AzguimePedro Neves, conductor
Camila Mandillo, soprano
Andrea Conangla, coloratura soprano
André Henriques, bass-baritone
Miguel Azguime, speaker
Jade Mandillo, speaker
Sond’Ar-te Electric Ensemble
︎Teatro Académico Gil Vicente, Coimbra (Portugal)
30 May
︎ 21:30
[BUSTROFÉDON]
New chamber opera by Ricardo GuerreiroAndrea Conangla, soprano
Alberto Velho Nogueira, speaker
Leonor Keil, stage direction
Pedro Fonseca, light and set design
Lucas Paulino, video
Arte no Tempo, production
︎Bienal Aveiro_Síntese 2024, Aveiro (Portugal)
30 Apr
︎ 19:00
Autopsychografia
Album Release Event at Kunststiftung Baden-Württemberg in Stuttgart
"Got Lost" von Helmut Lachenmann in Form einer audiovisuellen Installation mit Visuals von Svitlana Zhytnia Atelier 1, 2. Stock
Künstlerinnengespräch mit Musik im Ausstellungsraum: Sara Glojnarić, Sofia Borges und Andrea Conangla reden über ihre Zusammenarbeit und laden das Publikum ein, Fragen zu stellen
dazwischen zu hören:
Sofia Borges: A Carta (Deutsche Erstaufführung)
Sara Glojnarić: THE POET IS A FAKER (Deutsche Erstaufführung)
für Stimme und Elektronik
Andrea Conangla, soprano
Manuela Ferrão, cello
Svitlana Zhitnya, video
︎Kunststiftung Baden-Württemberg, Stuttgart (Germany)
"Got Lost" von Helmut Lachenmann in Form einer audiovisuellen Installation mit Visuals von Svitlana Zhytnia Atelier 1, 2. Stock
Künstlerinnengespräch mit Musik im Ausstellungsraum: Sara Glojnarić, Sofia Borges und Andrea Conangla reden über ihre Zusammenarbeit und laden das Publikum ein, Fragen zu stellen
dazwischen zu hören:
Sofia Borges: A Carta (Deutsche Erstaufführung)
Sara Glojnarić: THE POET IS A FAKER (Deutsche Erstaufführung)
für Stimme und Elektronik
Andrea Conangla, soprano
Manuela Ferrão, cello
Svitlana Zhitnya, video
︎Kunststiftung Baden-Württemberg, Stuttgart (Germany)
26 Apr
︎ 19:30
Autopsychografia
Album Release Event at Casa Fernando Pessoa in LisbonSara Glojnarić:
THE POET IS A FAKER (estreia mundial)
para voz e eletrónica
Sofia Borges: A Carta
para voz e eletrónica
Sofia Borges: A Carta
para voz e violoncelo
Igor C. Silva: Vou
(estreia mundial)
para voz e vibrafone
“Got Lost” de Helmut Lachenmann na fotrma de instalação audio-visual
Andrea Conangla, soprano
Manuela Ferrão, cello
João Dias, percussion
Svitlana Zhitnya, video
Lisboa Incomum, event production
︎Casa Fernando Pessoa, Lisbon (Portugal)
10 Apr
︎ 20:30
A Laugh to Cry
New op-era by Miguel AzguimePedro Neves, conductor
Camila Mandillo, soprano
Andrea Conangla, coloratura soprano
André Henriques, bass-baritone
Miguel Azguime, speaker
Jade Mandillo, speaker
Sond’Ar-te Electric Ensemble
︎Sonorities Festival Belfast (Northern Ireland)
20 Feb
︎ 20:00
The Cold Trip - Part I
Song cycle by Bernhard LangAndrea Conangla, soprano
Aleph Gitarrenquartett:
Andrés Hernández Alba
Tillmann Reinbeck
Wolfgang Sehringer
Christian Wernicke
Staatsoper Stuttgart, organisation
︎Bix Jazz Club, Stuttgart (Germany)
2, 4, 8, 10, 12 Feb
︎ 19:00
ICARO
New chamber opera by Alessandro BaticciAndrea Conangla, soprano
Jacobo Ochoa, bariton
Christopher Schumann, musical direction
Alexander Fahima, regie
Lisa Behensky, wardrobe/set design
Martin Mutschler, dramaturgy
Staatsorchester Stuttgart
︎Junge Oper im Nord, Stuttgart (Germany)
28 Jan
︎ 19:30
Exsultate, jubilate
Motet by Wolfgang Amadeus MozartSimon Fröstl, conductor
︎St. Petrus Kirche, Donzdorf - Reichenbach u.R. (Germany)
2023
3, 6, 16 Dec
︎ 19:00
29 Nov
︎ 19:00
ICARO
New chamber opera by Alessandro BaticciAndrea Conangla, soprano
Jacobo Ochoa, bariton
Christopher Schumann, musical direction
Alexander Fahima, regie
Lisa Behensky, wardrobe/set design
Martin Mutschler, dramaturgy
Staatsorchester Stuttgart
︎Junge Oper im Nord, Stuttgart (Germany)
4 Nov
︎ 19:00
Con Angelus Severus
Concert at Ulmer Münster’s series Klangfarben about messages of AngelsWorks by G. F. Telemann, J. S. Bach, J. Alain, C. Franck, J. Brahms, M. Azguime
Sören Gieseler, organ
︎Ulmer Münster, Ulm (Germany)
29 Oct
︎ 19:00
A Laugh to Cry
New op-era by Miguel AzguimePedro Neves, conductor
Camila Mandillo, soprano
Andrea Conangla, coloratura soprano
André Henriques, bass-baritone
Miguel Azguime, speaker
Jade Mandillo, speaker
Sond’Ar-te Electric Ensemble
Vertixe 11 - International Contemporary Sound Creation Festival
︎Santiago de Compostela (Spain)
22 Sep
︎ 19:30
no fe·mi·ni·no
artistic reflection on the role of women in society, art and culture - a musical journey through more than two centuries where classical music, conceptual music and pop culture intersect with activism, feminism, political music and mixed media.Works by R. Schumann, J. Cage, K. Saariaho, A. Reimann, A. Conangla, S. Borges
Piano: Marcelo Amaral
Cello: Manuela Ferrão
︎O’culto da Ajuda, Lisbon (Portugal)
5 Jul
︎ 17:00
»Ghost Notes«
Experimental vocal improvisation performance after a urban collective composition by Sophie Innmann︎Alte Poststraße / Kronprinzenstraße, Stuttgart (Germany)
28 May
︎ 18:00
György Ligeti: Mysteries of the Macabre
RMC 2023 [c9] concertos portuguesesNuno Coelho, conductor
Orquestra Filarmonia das Beiras
︎Teatro Aveirense, Aveiro (Portugal)
20 Apr
︎ 19:00
A Laugh to Cry
New op-era by Miguel AzguimePedro Neves, conductor
Camila Mandillo, soprano
Andrea Conangla, coloratura soprano
André Henriques, bass-baritone
Miguel Azguime, speaker
Jade Mandillo, speaker
Sond’Ar-te Electric Ensemble
Festival Internacional de Música da Primavera
︎Teatro Viriato, Viseu (Portugal)
13, 14, 15 Apr
︎ 19:00
A Laugh to Cry
New op-era by Miguel AzguimePedro Neves, conductor
Camila Mandillo, soprano
Andrea Conangla, coloratura soprano
André Henriques, bass-baritone
Miguel Azguime, speaker
Jade Mandillo, speaker
Sond’Ar-te Electric Ensemble
︎O’culto da Ajuda, Lisbon (Portugal)
25 Mar
︎ 21:30
World prémier of Vitor Rua’s song cycle
Silvia Cancela, flute
José Teixeira, whistle
Frederic Cardoso, clarinet
Nuno Areia, piano
Luis Miguel Leite, guitar
Ines Quintas, violin
Henrique Ramos, percussion
José Rosas, trombone
Gonçalo Cravinho Lopes, double bass
︎Casa da Cultura, Fafe (Portugal)
14 Mar
︎ 11:00h
︎ 14:30h
Solar - Icarus Burning
World prémier of Howard Moody’s OperaTalus, ANDREA CONANGLA
Daedalus, KRIS BELLIGH
Icarus, LOGAN LOPEZ GONZALEZ
Minos, MICHAEL J. SCOTT
The Sun, CHŒUR D’ENFANTS DE LA MONNAIE
Apprentices to Daedalus, CHŒUR DE JEUNES DE LA MONNAIE
︎Theatre Royal de la Monnaie / de Munt, Brussels (Belgium)
8 Feb
︎ 20:00
Adam und Eva
Karin Rehnqvist’s Puksånger-LockropAndrea Conangla, soprano
Frances Pappas, mezzo-soprano
Radoslaw Szarek, percussion
Kiara Konstantinou, cello and composition
Ines Ljubej, percussion
︎Das Zukunftsmuseum, Nürnberg (Germany)
2, 3 Feb
︎ 20:00
Hans und Grete
Jumping in for Huihui Cheng’s New Music Theater commissioned by HMDK StuttgartBernd Schmitt, régie
Birgit Angela, staging
Bernhard Epstein, conductor
︎Wilhelma Theater, Stuttgart, (Germany)
2022
︎ 16:00
Parts I - III
︎ 19:00
Part I - III
18 Dec
︎ 17:00
Parts I - IV - VI
Andrea Conangla, soprano
Marion Eckstein, alto
Tilman Lichdi, tenor
Florian Spiess, bass
Bachchor Stuttgart
Bachorchester Stuttgart
Jörg-Hannes Hahn, Leitung
︎ Stadtkirche Bad Cannstatt, Stuttgart (Germany)
Andrea Conangla, soprano
Marion Eckstein, alto
Tilman Lichdi, tenor
Florian Spiess, bass
Bachchor Stuttgart
Bachorchester Stuttgart
Jörg-Hannes Hahn, Leitung
︎ Stadtkirche Bad Cannstatt, Stuttgart (Germany)
19 Oct
︎ 10:00
Wohin mit der Wut?
Staged children's concert with the Münchner Philharmoniker.Harry Ogg, conductor
Mareike Zimmermann, director
︎ Isarphilharmonie, Munich (Germany)
14 Oct
︎ 19:00
Soirée at the Institut Français d’Allemagne
Premier of Paulo Bastos’ „em palavra a noite“ - song cycle for soprano and pianoDomingos Soares Costa, piano:
︎ Institut Français d’Allemagne, Tübingen (Germany)
1 - 3 Oct
Vocal Improvisation Workshop
Particapation on the 4th International Scholarly Conference - Eurhythmics in education of musicians, actors, dancers and in rehabilitation︎Musikakademie Łódź (Poland)
22 Sep
︎ 20:00
Release Concert of the CD “A World Symphony”
Orchester der Kulturen
Adrian Werum, conductor
Philharmonia Chor Stuttgart
︎Liederhalle Stuttgart, Beethovensaal (Germany)
18 Sep
︎ 18:00
Junge Elite der Liedkunst
Andrea Conangla, soprano
Hannah Gries, soprano
Shenghan Wang, bariton
Thomas Seyboldt, piano
︎Schloss Ettlingen, Asamsaal (Germany)
22, 24, 26 Jul
︎ 19:30
L’Orfeo
Favola in musica in a prologue and five actsOrfeo, Moritz Kallenberg
Musica/Euridice/Proserpina, Josefin Feiler
Caronte/Plutone, Andrew Bogard
Messagera, Pihla Terttunen
1. Pastore, Mingjie Lei
2. Pastore, Ángel Macías
Ninfas, Andrea Conangla and Sirin Kiliç
Pastore, Junoh Lee
Killian Farrell, conductor
Marco Štorman, director
︎Staatsoper Stuttgart / Im Wizemann (Germany)
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4 June
︎ 15:00
Diversity Conference
With Tracy Cox, Tichina Vaughn, Robert Crowe and Holden Madagame︎HMDK Stuttgart / Staatsoper Stuttgart (Germany)
1 May
︎ 18:00
La Cité des Dames: Kollektiv TRIGGER debut concert
︎Hospital Hof, Stuttgart (Germany)
